Explore accommodations in Dhaka sorted by distance
Ahsan Manzil, affectionately known as the "Pink Palace," stands majestically on the banks of the Buriganga River in Old Dhaka as an enduring symbol of the city's aristocratic past.
Built in 1872 by Nawab Abdul Ghani, one of Dhaka's most prominent and influential aristocrats, this magnificent palace served as the official residence and power center of the Dhaka Nawab family for generations.
The palace was named after Nawab Abdul Ghani's son, Khwaja Ahsanullah, who would become one of Bengal's most celebrated philanthropists and social reformers.
The building's distinctive pink color has made it one of Dhaka's most recognizable and photographed landmarks.
The palace exemplifies the Indo-Saracenic Revival architectural style that flourished in colonial India, masterfully blending traditional Mughal elements with European neoclassical design.
The building's most striking feature is its large central dome, which rises magnificently above the pink facade and can be seen from the river.
The palace is designed with perfect symmetry, featuring two distinct wings that extend from the central domed hall.
The structure comprises 31 rooms spread across two floors, each designed with meticulous attention to detail and function.
The riverside terrace offers commanding views of the Buriganga River and creates a dramatic setting for this architectural masterpiece.
European-style columns and arches harmoniously coexist with Mughal decorative elements, creating a unique fusion that represents the cultural synthesis of 19th-century Bengal.
Ahsan Manzil was far more than a residence; it was the epicenter of political and social life for Dhaka's elite.
The palace served as the official seat of power for the Dhaka Nawab family, where important decisions affecting the region were made and distinguished guests from across the British Indian Empire were entertained.
The Nawabs played a crucial role in Bengal's zamindari system, owning vast agricultural lands and wielding considerable influence during the British colonial period.
The palace witnessed significant historical events and hosted gatherings that shaped Dhaka's development during its golden age of aristocracy in the late 19th and early 20th centuries.
The building stands as a testament to the wealth, sophistication, and cultural refinement that characterized the Nawab family and their era.
Since 1992, Ahsan Manzil has served as a national museum dedicated to preserving and showcasing the lifestyle of Bengal's aristocracy.
The museum's collection is thoughtfully arranged across the palace's 31 rooms, each offering a different window into aristocratic life.
Like the National Museum, this institution provides invaluable insights into Bangladesh's cultural heritage, though Ahsan Manzil focuses specifically on the aristocratic experience.
Visitors can view an extensive collection of family portraits and historical photographs that bring the Nawab family to life, marvel at original European furniture including ornate thrones and royal seating, admire delicate china and tableware that graced aristocratic dining tables, and examine historical documents and the family tree that trace the lineage and accomplishments of this influential dynasty.
The museum also displays traditional Bengali aristocratic clothing, jewelry, and personal effects that provide intimate insights into the daily lives, social customs, and cultural practices of 19th-century Bengali nobility.
The palace's journey to becoming a museum was marked by both tragedy and triumph.
In 1969, a devastating tornado severely damaged the structure, threatening its very existence.
However, recognizing its immense historical and architectural significance, the government undertook an extensive restoration project that beautifully revived the palace to its former glory.
This careful restoration work preserved the original architectural features while ensuring the building's structural integrity for future generations.
Today, the palace stands as a stunning example of how historic buildings can be successfully preserved and repurposed.
The riverside terrace, meticulously restored, continues to offer breathtaking views across the Buriganga River, allowing visitors to imagine the grand river processions and elegant garden parties that once took place here.
Ahsan Manzil offers an unparalleled opportunity to step back in time and experience the grandeur of Bengal's aristocratic past.
The palace is perfect for history enthusiasts seeking to understand the social and political dynamics of colonial Bengal, architecture lovers who appreciate the fusion of Eastern and Western design elements, and photographers drawn to the building's photogenic pink facade and elegant proportions.
Walking through the palace's halls and rooms provides invaluable insights into how the wealthy elite of 19th-century Dhaka lived, socialized, and conducted their affairs.
The combination of stunning architecture, rich historical narratives, and comprehensive museum exhibits makes Ahsan Manzil an essential destination for anyone seeking to understand Dhaka's cultural heritage and aristocratic legacy.
Bangladeshi: 20 BDT, Foreigners: 100 BDT, SAARC: 50 BDT.
Children under 5 years: Free.
Camera fee: 50 BDT (still), 100 BDT (video).
Saturday to Wednesday: 10:30 AM - 5:30 PM, Friday: 3:00 PM - 7:00 PM.
Closed on Thursdays and government holidays.
Last entry 30 minutes before closing.
1.5-2 hours for a thorough visit covering all 31 rooms, exhibits, and riverside views.
Add extra time for photography and enjoying the palace architecture.
October to March (winter season) provides comfortable weather for exploring this riverside palace.
Early morning visits offer softer lighting for photography and fewer crowds.
Late afternoon visits provide beautiful sunset views over the Buriganga River from the palace terrace.
Entry fee: 20-100 BDT, Camera fee (optional): 50-100 BDT, Transport (round-trip): 100-300 BDT, Guide (optional): 200-500 BDT, Food/drinks nearby at Sadarghat: 150-400 BDT, Souvenirs/books (optional): 100-300 BDT, River cruise combination (optional): 200-500 BDT.
Total: 400-1,200 BDT per person.
Located in Kumartoli, Islampur Road, Old Dhaka, on the banks of Buriganga River.
From Sadarghat, 5-10 minutes by rickshaw.
From Gulistan or Motijheel, take bus/CNG to Sadarghat then rickshaw.
Can easily be combined with Lalbagh Fort for a full Old Dhaka heritage day.
Taxi/ride-sharing (Uber/Pathao) available from anywhere in Dhaka.
Can be combined with river cruise from Sadarghat.
Nearest landmark: Sadarghat Launch Terminal.
The palace museum offers comprehensive exhibits:
Available facilities include:
Discover aristocratic life through 31 exhibit rooms:
Marvel at Indo-Saracenic design elements:
Immerse yourself in 19th-century history:
Enjoy the palace's unique riverfront location:
Follow these guidelines for an enjoyable visit:
Protect this 150-year-old national treasure:
Keep valuables secure as this is in Old Dhaka area.
Watch your step on historic stairs and floors.
Stay hydrated especially in summer.
Be cautious of pickpockets in crowded riverside areas.
Use authorized rickshaws near Sadarghat.
Avoid visiting during heavy rain as riverside areas can flood.
Keep museum tickets safe for verification.
No reviews yet. Be the first to review!
**A Modern Wonder** The National Parliament House stands as one of Bangladesh's most iconic landmarks, serving as the home of the nation's parliament while being recognized worldwide as a masterpiece of modern architecture. Designed by the renowned American architect [Louis Kahn](https://en.wikipedia.org/wiki/Louis_Kahn), this remarkable building took over two decades to complete, with construction beginning in 1961 and finishing in 1982. The result is one of the largest legislative complexes in the world, a structure that has become synonymous with Bangladesh's capital city and democratic heritage. **Architectural Brilliance** Kahn's design for the parliament building is truly extraordinary, utilizing geometric shapes throughout the massive concrete structure to create a visual language that is both striking and deeply meaningful. Circles, triangles, and rectangles combine in unexpected ways, forming patterns that catch the eye from every angle. The complex consists of nine separate blocks that interconnect to form the main structure, each block possessing its own distinct character while contributing to the harmonious whole. What makes the design particularly special is how natural light pours through geometric openings in the walls, creating ever-changing patterns of light and shadow that transform the interior spaces throughout the day. **The Surrounding Lake** An artificial lake called Crescent Lake embraces the parliament building, its still waters creating perfect mirror images of Kahn's geometric forms. This reflecting pool serves multiple purposes - it enhances the building's visual impact, provides a cooling effect in Dhaka's tropical climate, and creates a peaceful buffer zone around the government complex. The lake area has become a favorite spot for both photographers and casual visitors, who come to walk along the shaded pathways, sit on benches beneath the trees, and experience the serene atmosphere that feels worlds away from the bustling city just beyond the grounds. For those seeking more green space, the nearby [Chandrima Udyan](/tourist-places/chandrima-udyan) offers additional gardens and walking paths. **Symbol of Democracy** This building represents far more than just impressive architecture - it stands as a proud symbol of Bangladesh's democracy and hard-won independence. Within its walls, parliament members gather to debate and create the laws that shape the nation's future. The grand assembly hall has witnessed countless historic moments since the building opened, hosting discussions and decisions that have defined modern Bangladesh. For many citizens, the building's distinctive silhouette represents the democratic ideals and sovereign identity of their nation. **Visiting Experience** Because the parliament building serves as an active government facility with ongoing legislative work, public access follows certain necessary restrictions. The interior is generally not open for casual visits, requiring special permission from the parliament secretariat for those who wish to see the assembly hall and inner chambers. However, the exterior and surrounding lake areas are typically accessible during daylight hours, offering visitors the chance to appreciate the architecture from outside, walk the peaceful grounds, and capture stunning photographs. The view from any angle around Crescent Lake is impressive, and many visitors find that experiencing the building from the outside provides a deeply satisfying encounter with this architectural masterpiece. **Architectural Recognition** Louis Kahn's design for the National Parliament House has earned widespread acclaim from architects and critics around the world, with many considering it among the finest examples of modernist government architecture ever constructed. The building appears frequently in architectural textbooks and academic studies, drawing students and professionals from across the globe who come to study its innovative use of geometry, light, and materials. Kahn's work here demonstrated how traditional geometric forms could be reimagined to create something entirely contemporary, and the building's influence can be seen in institutional architecture worldwide.
The Liberation War Museum stands as a powerful testament to Bangladesh's struggle for independence in 1971. Located in the heart of Dhaka, this institution serves not just as a repository of artifacts, but as a living memorial to the millions who fought, suffered, and sacrificed for the nation's freedom. Every corner of this museum tells a story that shaped Bangladesh into the country it is today. **A Nation's Memory** Walking through the Liberation War Museum feels like stepping into Bangladesh's collective consciousness. The museum meticulously preserves the history of the nine-month-long war that led to the birth of this nation. Through carefully curated exhibits, visitors encounter the raw emotions, brutal realities, and ultimate triumph of 1971. The institution has become the guardian of stories that might otherwise be lost to time, ensuring that future generations understand the price of freedom. It houses thousands of photographs, documents, weapons, and personal belongings of freedom fighters and martyrs, each item carrying its own profound narrative. The museum complements the Liberation War gallery at the [Bangladesh National Museum](/tourist-places/national-museum), offering a more focused and comprehensive exploration of this defining period. **The Museum Experience** The exhibition galleries are thoughtfully organized to take visitors on a chronological journey through Bangladesh's path to independence. You'll find galleries dedicated to the language movement of 1952, the political turmoil of the 1960s, the [1971 Bangladesh genocide](https://en.wikipedia.org/wiki/1971_Bangladesh_genocide), and the final victory in December at [Suhrawardy Udyan](/tourist-places/suhrawardy-udyan) where Pakistani forces surrendered. Authentic artifacts include uniforms worn by freedom fighters, weapons used during the war, letters written from battlefields, and haunting photographs of the atrocities committed. An audio-visual section presents documentary footage and recorded testimonies from war veterans and survivors. These personal accounts bring history alive in ways that textbooks never could. The museum also maintains a section honoring the intellectuals who were systematically murdered just days before independence. **Architecture and Design** The museum building itself reflects the solemnity of its purpose. The architecture combines modern design with elements that evoke the spirit of the liberation struggle. Natural light filters through strategic openings, creating an atmosphere conducive to reflection and remembrance. The layout guides visitors naturally from one era to the next, building emotional resonance with each step. Wall texts are presented in both Bengali and English, making the experience accessible to international visitors who wish to understand Bangladesh's founding story. Standing in the Liberation War Museum, you don't just learn about history. You feel it. The weight of sacrifice, the courage of ordinary people who became heroes, and the resilience of a nation demanding its right to exist. This museum is essential for anyone seeking to understand the heart and soul of Bangladesh.
Step into a hauntingly beautiful world frozen in time. Panam City, nestled within the historic [Sonargaon](/tourist-places/sonargaon) area just 27 kilometers from Dhaka, is an abandoned merchant city that whispers tales of a glorious past. This atmospheric ghost town features 52 colonial-era buildings lining a narrow street, their weathered facades and crumbling grandeur creating a photographer's paradise unlike any other in Bangladesh. **A Merchant's Dream Turned Ghost Town** During the 19th and early 20th centuries, Panam City thrived as the heart of a prosperous Hindu merchant community under British colonial rule. Wealthy traders dealing in the legendary Dhaka muslin, cotton, and other precious goods built impressive homes here, creating a vibrant commercial hub. The narrow main street bustled with life, its elegant buildings housing both residences and trading establishments. These merchants lived lavishly, their wealth reflected in the ornate architecture that still stands today—much like the nawabs who built [Ahsan Manzil](/tourist-places/ahsan-manzil) in Dhaka during the same era. However, the partition of India in 1947 changed everything. The predominantly Hindu merchant community fled to India, leaving behind their homes and businesses. What was once a thriving city became a silent monument to a lost era. The buildings have stood empty ever since, slowly surrendering to nature while maintaining their haunting beauty. **52 Buildings Frozen in Time** Walking through Panam City feels like stepping onto a film set from another century. A narrow street stretches approximately 600 meters, flanked by 52 impressive buildings on both sides. These structures showcase a fascinating fusion of European colonial and Mughal architectural styles, with high ceilings, ornate balconies, arched doorways, and decorative facades. Many buildings feature intricate terracotta work and detailed plasterwork that hint at their former grandeur. Today, peeling paint reveals layers of history, broken windows frame fragments of sky, and vegetation slowly reclaims the structures. Despite their decay, the buildings retain an undeniable elegance. The narrow street creates dramatic perspectives, with the parallel rows of buildings drawing the eye toward vanishing points at either end. While entering the buildings is prohibited due to structural instability, the street-level view offers endless opportunities to appreciate the architectural details and imagine the bustling commercial life that once filled these spaces. **A Photographer's Paradise** Panam City has become legendary among photographers, filmmakers, and artists seeking atmospheric locations. The interplay of light and shadow through broken windows, the textures of weathered brick and crumbling plaster, and the contrast between architectural grandeur and natural decay create endlessly compelling compositions. Morning light casts long shadows down the narrow street, while late afternoon sun illuminates the facades in warm golden tones. Many Bengali films and music videos have been shot here, drawn by the site's unique aesthetic. The location offers vintage charm without the need for elaborate set design. Every visit reveals new details and fresh perspectives, making Panam City a place photographers return to again and again. Panam City stands as a powerful time capsule, preserving a moment in colonial Bengal's history when merchant princes built their dreams in brick and mortar. Today, these silent ruins speak eloquently of prosperity, exodus, and the passage of time, offering visitors a rare glimpse into a vanished world.
Standing proud amidst the bustling Dhaka University campus, Curzon Hall is a breathtaking testament to colonial-era architecture. This magnificent red brick building has witnessed over a century of history, serving as an iconic landmark that bridges Bangladesh's colonial past with its academic present. Built in the early 1900s, it now houses the Faculty of Sciences and remains one of the most photographed buildings in Dhaka. **A Colonial Masterpiece** The building showcases stunning [Mughal Revival architecture](https://en.wikipedia.org/wiki/Indo-Saracenic_architecture), a style that blends traditional Islamic design elements with British colonial construction techniques. Its striking red brick facade catches the eye immediately, adorned with white stone accents that create a beautiful contrast. The structure features distinctive domes, elegant arches, and intricate terracotta decorations that reflect the artistic sensibilities of the era. The symmetrical design and ornate details make it a photographer's paradise. **From Town Hall to Science Faculty** Originally conceived as a town hall for the city of Dhaka, the building was named after Lord Curzon, the British Viceroy of India who laid its foundation stone in 1904. Construction was completed in 1905. However, destiny had different plans. Following the partition of Bengal in 1911, the building's purpose changed dramatically. When Dhaka University was established in 1921, Curzon Hall became part of the university campus and has served as an academic building ever since. It has educated generations of scientists and scholars who have gone on to shape Bangladesh's future. **Architectural Splendor** The building's design elements are truly captivating. Three distinctive domes crown the structure, with the central dome being the most prominent. Graceful horseshoe arches frame doorways and windows throughout the building. The interior courtyards provide natural light and ventilation, a practical solution for Dhaka's hot climate. The surrounding gardens, with their manicured lawns and shaded walking paths, offer a peaceful retreat from the city's chaos. Located in the heart of Shahbagh, the building sits near other cultural landmarks like the [Bangladesh National Museum](/tourist-places/national-museum) and [Ramna Park](/tourist-places/ramna-park). Standing before Curzon Hall, you can't help but feel transported to another era, where craftsmanship and beauty were paramount in public architecture.