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In the heart of Dhaka, where the city's pulse beats strongest, lies Hatirjheel—a shimmering testament to Bangladesh's vision of modern urban living.
This isn't just another lake.
It's a story of transformation, where polluted canals became a crown jewel, where concrete jungles made room for breathing space, and where Dhaka's residents found their urban oasis.
Once upon a time, the Hatirjheel-Begunbari area was a network of neglected, polluted canals choked with garbage and encroachments.
The water was dark, the air heavy with decay.
But in 2013, everything changed.
A visionary development project transformed this forgotten waterway into one of Dhaka's most beloved public spaces.
The massive undertaking dredged the canals, built retaining walls, created walkways, and installed bridges that now connect major neighborhoods like Gulshan, Banani, Tejgaon, and Badda.
What emerged was nothing short of miraculous—a 302-acre water body surrounded by landscaped parks, illuminated bridges, and pathways that invite millions of visitors each year.
Stretching 8.5 kilometers along the waterfront, Hatirjheel offers a pedestrian paradise.
Multiple bridges arch gracefully over the water, including the iconic Bhatara Bridge and several smaller crossings, each offering unique vantage points.
As dusk falls, thousands of LED lights flicker to life, transforming the lake into a glowing ribbon that snakes through the city.
The walkways become stages for evening strollers, cyclists weaving through crowds, and photographers capturing the perfect reflection shot.
An amphitheater sits ready for cultural events, while cafes dot the perimeter offering refreshments.
This isn't just infrastructure—it's a carefully designed experience that brings water, light, and community together in harmony.
Every evening, as the sun dips below Dhaka's skyline, Hatirjheel comes alive.
Families spread picnic blankets on the grass.
Couples walk hand-in-hand across illuminated bridges.
Fitness enthusiasts jog along dedicated paths while cyclists ring their bells in friendly warning.
Street food vendors offer hot phuchka and crispy jhalmuri.
Paddle boats bob gently on the water, carrying giggling children and romantic pairs.
This is where modern Dhaka meets, breathes, and remembers that life isn't just about traffic jams and deadlines.
Hatirjheel represents something deeper—a commitment to livability, to public spaces that belong to everyone, to the belief that Bangladesh's cities can be both modern and human.
While historical green spaces like Ramna Park preserve Dhaka's colonial heritage, Hatirjheel showcases the city's 21st-century vision.
It's proof that even in one of the world's most densely populated cities, beauty and breathing room can exist.
Free entry.
Boat rides cost approximately BDT 100-200 per 30 minutes.
Open 24 hours.
Best to visit from late afternoon to late evening (4:00 PM - 10:00 PM) for the full experience with illuminated bridges and pleasant weather.
The best time to visit Hatirjheel is during the evening hours, specifically between 5:00 PM and 9:00 PM, when the LED lights illuminate the bridges and walkways creating a magical atmosphere.
The temperatures are cooler, the breeze is pleasant, and the entire lakefront comes alive with activity.
Winter months (November to February) offer the most comfortable weather with cool evenings perfect for long walks.
This is the peak season when you'll find the most visitors.
Summer months (March to May) can be hot and humid, especially during midday.
If visiting in summer, stick to early morning (6:00-8:00 AM) or evening visits (after 5:00 PM).
Monsoon season (June to September) brings rain and occasional storms.
While the lake looks beautiful during and after rain, be cautious of slippery walkways.
Carry an umbrella and avoid visiting during heavy downpours.
Weekdays are significantly less crowded than weekends, making them ideal if you prefer a more peaceful experience.
Friday evenings and all day Saturday-Sunday see the largest crowds, which creates a vibrant atmosphere but means longer waits for boats and crowded walkways.
Early morning (6:00-8:00 AM) is perfect for joggers, fitness enthusiasts, and those seeking solitude.
The lake is calm, the air fresh, and crowds minimal.
Hatirjheel is accessible from multiple points across Dhaka:
From Gulshan: Take Gulshan Avenue toward Badda, or use Gulshan 1 or 2 access points directly to the lakefront.
Rickshaws and CNGs readily available.
From Banani: Head toward Gulshan via Kemal Ataturk Avenue, then access via Gulshan Avenue or Tejgaon-Gulshan Link Road.
From Tejgaon: Use the Tejgaon-Gulshan Link Road which runs directly alongside the lake.
Multiple entry points available.
From Badda: Access via Badda Link Road or the Bhatara Bridge area.
From Rampura: The Rampura Bridge provides direct access to the southern end of Hatirjheel.
By Public Transport: Buses running on Gulshan-Badda, Tejgaon-Gulshan, and Rampura routes all have stops near Hatirjheel access points.
By Rickshaw/CNG: Tell the driver "Hatirjheel" and specify which area you want (Gulshan side, Tejgaon side, Badda side, or Rampura side).
By Ride-sharing: Uber, Pathao, and Obhai all serve Hatirjheel.
Set your destination to "Hatirjheel" or a specific nearby landmark.
Hatirjheel's infrastructure is designed for maximum enjoyment and accessibility.
The 8.5-kilometer walkway wraps around the entire lake, offering uninterrupted views and easy navigation.
Seven major bridges span the water at different points, each with its own character—some wider for vehicle traffic, others intimate pedestrian crossings.
Viewing platforms jut out over the water at strategic locations, perfect for photography or quiet contemplation.
The amphitheater hosts cultural performances and public events, seating hundreds of spectators with the illuminated lake as backdrop.
Hatirjheel caters to diverse visitor needs with thoughtful facilities:
The signature Hatirjheel experience is the evening stroll.
As temperatures cool and lights begin to twinkle, thousands of Dhaka residents emerge to walk the waterfront.
The breeze off the lake provides relief from the city's heat.
Conversations flow easily.
This is where you reconnect with family, catch up with friends, or simply lose yourself in thought while your feet carry you around the water.
Dedicated cycling paths make Hatirjheel a favorite among Dhaka's growing cycling community.
Whether you bring your own bike or rent one from informal vendors near the entry points, the smooth paths and lakeside views create an ideal riding environment.
Early morning and late evening are particularly popular times when the paths are less crowded.
Photographers flock to Hatirjheel for good reason.
Sunset paints the water in gold and orange.
The illuminated bridges create perfect leading lines.
Reflections double the visual impact.
Street photography captures the human drama of families, vendors, and couples.
Long exposure shots transform the night scene into abstract light paintings.
Every visit offers new compositions.
Paddle boats offer a different perspective—the view from the water looking back at the city.
These leisurely 30-minute rides are especially popular with families and couples.
The gentle exercise of pedaling, the splash of water, and the unique vantage point make this a memorable activity.
Sometimes the best activity is no activity at all.
Hatirjheel invites you to simply sit, breathe, and be present.
Find a bench with a good view, watch the world pass by, and remember that urban life doesn't have to be constant motion.
Other activities include:
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Standing proud in the heart of Bangladesh's bustling capital, Baitul Mukarram Mosque is far more than just a place of worship. It's the national mosque of Bangladesh, a striking symbol of modern Islamic architecture, and a spiritual home to millions. With a capacity to hold over 30,000 worshippers at once, this magnificent structure pulses with devotion during Friday prayers and becomes a sea of humanity during the holy month of Ramadan. Its unique cube-like design makes it instantly recognizable in Dhaka's ever-evolving skyline. **A Modern Vision** When construction began in 1960 and completed in 1968, Baitul Mukarram broke away from traditional mosque architecture in a bold way. Architect T Abdul Hussain Thariani drew inspiration from the sacred Kaaba in Mecca, creating a modernist interpretation that honored Islamic tradition while embracing contemporary design. The result was revolutionary for its time. Instead of towering minarets and ornate domes typical of traditional mosques like the [Star Mosque](/tourist-places/star-mosque) in Old Dhaka, Baitul Mukarram presents a striking eight-story cube structure that commands attention through its geometric purity and massive scale. The mosque was funded by local philanthropists and became a gift to the nation, representing Bangladesh's Islamic heritage and its forward-looking spirit. **The Sacred Cube** The mosque's distinctive architecture features clean lines and a monumental presence. The main prayer hall occupies multiple floors with a central courtyard that floods the space with natural light. Men gather on the ground floor while women pray on the upper levels, each space designed to accommodate thousands. Modern amenities blend seamlessly with spiritual function, including air-conditioned prayer halls that provide comfort during Dhaka's sweltering summers. The structure rises eight stories high, with the main prayer space featuring a simple yet elegant interior that keeps worshippers focused on prayer rather than decoration. The use of modern materials like concrete and glass was innovative for mosque construction in South Asia during that era. **More Than a Mosque** Baitul Mukarram serves multiple roles in Bangladesh's national life. As the national mosque, it hosts state religious ceremonies and becomes the focal point during Islamic holidays. Every Friday afternoon, the surrounding streets fill with thousands arriving for Jummah prayer, creating a vibrant display of communal devotion. During Ramadan, the mosque transforms into a 24-hour hub of activity with nightly Tarawih prayers drawing massive crowds. The basement houses Baitul Mukarram Market, a sprawling shopping complex where vendors sell Islamic books, prayer items, traditional clothing, and religious artifacts. This commercial element makes the mosque a multifunctional space that serves both spiritual and practical needs. Its location near Paltan and Motijheel, in the commercial heart of Old Dhaka, ensures it remains central to the city's daily rhythm. For visitors, the mosque offers a glimpse into Bangladesh's living Islamic tradition and stands as a proud architectural achievement that bridges faith and modernity. Many combine their visit with nearby cultural attractions like the [National Museum](/tourist-places/national-museum) in Shahbagh to experience both the spiritual and historical dimensions of the capital.
Standing in the heart of Old Dhaka, the Dhakeshwari Temple is more than just a place of worship. It's the national temple of Bangladesh, a living testament to centuries of faith, culture, and the enduring spirit of religious harmony. This ancient Hindu temple is dedicated to Goddess Dhakeshwari, whose name literally means "Goddess of Dhaka" – she is believed to be the guardian deity of the city itself. **Ancient Roots** The temple's story begins in the 12th century during the reign of the Sena Dynasty. King Ballal Sen, a devout Hindu ruler, is credited with building this magnificent structure around 1166 CE. Legend tells us that Goddess Dhakeshwari appeared in the king's dream, guiding him to discover her divine image buried beneath the earth. Following this sacred vision, Ballal Sen constructed the temple at that very spot. Over the centuries, the temple has witnessed the rise and fall of kingdoms, yet it has remained a beacon of faith for devotees. **The National Temple** In 1996, the government of Bangladesh officially recognized Dhakeshwari Temple as the national temple, acknowledging its profound cultural and historical significance. This designation reflects Bangladesh's commitment to religious pluralism and the protection of its diverse heritage. For the Hindu community in Bangladesh, this temple holds immense spiritual importance. It serves as a gathering place during major festivals and a symbol of their cultural identity. **Architecture and Sacred Spaces** The temple complex is a peaceful sanctuary amidst the bustling streets of Old Dhaka. At its center stands the main shrine housing the idol of Goddess Dhakeshwari, adorned with beautiful decorations and offerings. The complex includes several smaller temples dedicated to various deities, creating a spiritual landscape rich with devotion. A sacred pond adds to the serene atmosphere, while the open courtyard provides space for large gatherings during festivals. The architecture blends traditional Hindu temple design with local Bengali elements. Walking through Dhakeshwari Temple, you're not just visiting a historical monument – you're stepping into a sacred space that has nurtured faith for nearly nine centuries. It stands as a powerful symbol of religious coexistence alongside other heritage sites like [Armenian Church](/tourist-places/armenian-church) and [Lalbagh Fort](/tourist-places/lalbagh-fort), showcasing the cultural continuity that defines Old Dhaka.
Step into the National Museum and you're stepping into the heart of Bangladesh's cultural legacy. Established in 1913, this magnificent institution stands as the country's largest and most comprehensive museum, housing over 86,000 artifacts that span millennia of human history. Located in the vibrant Shahbagh area, just opposite [Ramna Park](/tourist-places/ramna-park) and adjacent to Dhaka University, the museum attracts thousands of visitors each year who come to explore the rich tapestry of Bangladesh's heritage. **A Century of Heritage** The museum's journey began over a century ago when it first opened its doors in the Dhaka Medical College building. Back then, it was a modest collection aimed at preserving the region's archaeological treasures. In 1983, the museum moved to its current purpose-built home in Shahbagh, a stunning four-story structure designed specifically to showcase the nation's cultural wealth. This move marked a turning point, transforming it from a simple repository into a world-class institution dedicated to education, research, and cultural preservation. Today, it stands as one of [South Asia's premier museums](https://en.wikipedia.org/wiki/Bangladesh_National_Museum), recognized for its extensive collections and scholarly contributions. **Four Floors of Discovery** The museum spans four expansive floors with 46 meticulously curated galleries, each telling a unique story. The ground floor welcomes you with natural history exhibits featuring Bangladesh's diverse flora and fauna. As you ascend, you'll encounter the archaeology section with ancient terracotta artifacts and sculptures dating back thousands of years. The second floor houses classical and decorative arts, including exquisite manuscripts and traditional folk art. The third floor is dedicated to ethnography, showcasing the lifestyles of various indigenous communities, while also hosting the deeply moving Liberation War gallery that commemorates Bangladesh's struggle for independence in 1971. For a more comprehensive exploration of the liberation struggle, visitors should also plan a visit to the dedicated [Liberation War Museum](/tourist-places/liberation-war-museum). Contemporary art occupies the upper floors, displaying works by renowned Bangladeshi artists. **Treasures Across Time** What makes this museum truly special is the diversity of its collections. Ancient Buddhist and Hindu sculptures stand alongside delicate terracotta plaques from archaeological sites like Paharpur and Mainamati. The numismatics collection features rare coins spanning different dynasties. You'll find beautifully illuminated manuscripts, traditional textiles, and folk art that reflect the creativity of rural artisans. The natural history section displays wildlife specimens that showcase Bangladesh's biodiversity. Contemporary galleries feature paintings and sculptures by masters like Zainul Abedin and S.M. Sultan. Every artifact here serves as a window into different chapters of this land's story, making the National Museum an essential destination for anyone seeking to understand Bangladesh's multifaceted identity and enduring spirit.
**The Pink Palace of Dhaka** Ahsan Manzil, affectionately known as the "Pink Palace," stands majestically on the banks of the Buriganga River in Old Dhaka as an enduring symbol of the city's aristocratic past. Built in 1872 by Nawab Abdul Ghani, one of Dhaka's most prominent and influential aristocrats, this magnificent palace served as the official residence and power center of the [Dhaka Nawab family](https://en.wikipedia.org/wiki/Nawab_of_Dhaka) for generations. The palace was named after Nawab Abdul Ghani's son, Khwaja Ahsanullah, who would become one of Bengal's most celebrated philanthropists and social reformers. The building's distinctive pink color has made it one of Dhaka's most recognizable and photographed landmarks. **Indo-Saracenic Splendor** The palace exemplifies the Indo-Saracenic Revival architectural style that flourished in colonial India, masterfully blending traditional Mughal elements with European neoclassical design. The building's most striking feature is its large central dome, which rises magnificently above the pink facade and can be seen from the river. The palace is designed with perfect symmetry, featuring two distinct wings that extend from the central domed hall. The structure comprises 31 rooms spread across two floors, each designed with meticulous attention to detail and function. The riverside terrace offers commanding views of the Buriganga River and creates a dramatic setting for this architectural masterpiece. European-style columns and arches harmoniously coexist with Mughal decorative elements, creating a unique fusion that represents the cultural synthesis of 19th-century Bengal. **Symbol of Aristocracy** Ahsan Manzil was far more than a residence; it was the epicenter of political and social life for Dhaka's elite. The palace served as the official seat of power for the Dhaka Nawab family, where important decisions affecting the region were made and distinguished guests from across the British Indian Empire were entertained. The Nawabs played a crucial role in Bengal's zamindari system, owning vast agricultural lands and wielding considerable influence during the British colonial period. The palace witnessed significant historical events and hosted gatherings that shaped Dhaka's development during its golden age of aristocracy in the late 19th and early 20th centuries. The building stands as a testament to the wealth, sophistication, and cultural refinement that characterized the Nawab family and their era. **A Museum of Heritage** Since 1992, Ahsan Manzil has served as a national museum dedicated to preserving and showcasing the lifestyle of Bengal's aristocracy. The museum's collection is thoughtfully arranged across the palace's 31 rooms, each offering a different window into aristocratic life. Like the [National Museum](/tourist-places/national-museum), this institution provides invaluable insights into Bangladesh's cultural heritage, though Ahsan Manzil focuses specifically on the aristocratic experience. Visitors can view an extensive collection of family portraits and historical photographs that bring the Nawab family to life, marvel at original European furniture including ornate thrones and royal seating, admire delicate china and tableware that graced aristocratic dining tables, and examine historical documents and the family tree that trace the lineage and accomplishments of this influential dynasty. The museum also displays traditional Bengali aristocratic clothing, jewelry, and personal effects that provide intimate insights into the daily lives, social customs, and cultural practices of 19th-century Bengali nobility. **Restoration & Preservation** The palace's journey to becoming a museum was marked by both tragedy and triumph. In 1969, a devastating tornado severely damaged the structure, threatening its very existence. However, recognizing its immense historical and architectural significance, the government undertook an extensive restoration project that beautifully revived the palace to its former glory. This careful restoration work preserved the original architectural features while ensuring the building's structural integrity for future generations. Today, the palace stands as a stunning example of how historic buildings can be successfully preserved and repurposed. The riverside terrace, meticulously restored, continues to offer breathtaking views across the Buriganga River, allowing visitors to imagine the grand river processions and elegant garden parties that once took place here. **Visitor Experience** Ahsan Manzil offers an unparalleled opportunity to step back in time and experience the grandeur of Bengal's aristocratic past. The palace is perfect for history enthusiasts seeking to understand the social and political dynamics of colonial Bengal, architecture lovers who appreciate the fusion of Eastern and Western design elements, and photographers drawn to the building's photogenic pink facade and elegant proportions. Walking through the palace's halls and rooms provides invaluable insights into how the wealthy elite of 19th-century Dhaka lived, socialized, and conducted their affairs. The combination of stunning architecture, rich historical narratives, and comprehensive museum exhibits makes Ahsan Manzil an essential destination for anyone seeking to understand Dhaka's cultural heritage and aristocratic legacy.